50 Essays A Portable Anthology High School Edition
Free 50 Essays A Portable Anthology High School Edition eBooks Read Online or Download Full 50 Essays A Portable Anthology High School Edition Textbook PDF, EPUB, Tuebl and Mobi. Get best books in our Library by click download or read online button. We cannot guarantee that every books is in the library!
The carefully chosen selections in 50 Essays include both classic essays and high-interest, high-quality contemporary readings to hold students’ interest, inspire their writing, and prepare them to work with nonfiction at the college level. 50 Essays will help your AP® English Language students acquire the critical thinking and academic writing skills they need to succeed. AP® is a trademark registered and/or owned by the College Board, which was not involved in the production of, and does not endorse, this product.
In this elegant volume, literary critics scrutinize the existing Wallace scholarship and at the same time pioneer new ways of understanding Wallace's fiction and journalism. In critical essays exploring a variety of topics—including Wallace's relationship to American literary history, his place in literary journalism, his complicated relationship to his postmodernist predecessors, the formal difficulties of his 1996 magnum opus Infinite Jest, his environmental imagination, and the “social life” of his fiction and nonfiction—contributors plumb sources as diverse as Amazon.com reader recommendations, professional book reviews, the 2009 Infinite Summer project, and the David Foster Wallace archive at the University of Texas's Harry Ransom Center.
In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990s novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is ironically keen on denying that connection. Exploring the ways ideas about paradise and pastoral, difference and exclusion, innocence and righteousness, triumph and trauma deform the stories Americans tell themselves about their nation’s past, After the End of History challenges us to reconsider these works in a new light, offering fresh, insightful readings of what are destined to be classic works of literature. At the same time, Cohen enters into the theoretical discussion about postmodern historical understanding. Throwing his hat in the ring with force and style, he confronts not only Francis Fukuyama’s triumphalist response to the fall of the Soviet Union but also the other literary and political “end of history” claims put forth by such theorists as Fredric Jameson and Walter Benn Michaels. In a straightforward, affecting style, After the End of History offers us a new vision for the capabilities and confines of contemporary fiction.
The Norton Introduction to Literature presents an engaging, balanced selection of literature to suit any course. Offering a thorough treatment of historical and critical context, the most comprehensive media package available, and a rich suite of tools to encourage close reading and thoughtful writing, the Shorter Twelfth Edition is unparalleled in its guidance of understanding, analyzing, and writing about literature.
A two thousand-year history of the Catholic Church highlights important events, people, trends, and teachings.
A recent spate of bestsellers (Richard Dawkins, The God Delusion, Christopher Hitchins, God is Not Great) have popularized a new form militant atheism claiming not only that religion is an illusion but that it is the source of most of the world's ills. Tina Beattie, an English Catholic feminist theologian, does not set out to confront these works head on, proving the existence of God or defending the virtues of religion. She does not believe in the God rejected by these atheists, and she readily concedes the evils done in the name of religion. Rather, after situating these new atheists in their historical/cultural context as part of a longstanding tension between science and religion, she shifts the debate in the direction of an approach to religion that emphasizes the realm of symbol, imagination, and creativity.