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Nominated as one of America’s best-loved novels by PBS’s The Great American Read Set in Greenwich Village, Harlem, and France, among other locales, Another Country is a novel of passions--sexual, racial, political, artistic--that is stunning for its emotional intensity and haunting sensuality, depicting men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime.
This anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies.
Featuring the story, 'In Another Country', that inspired the motion picture, 45 Years. Also featuring selected stories from David Constantine's Comma Press back catalogue : Under The Dam (2005); The Shieling (2009); Tea at the Midland (2012). Released one day before 45 Years, which will be released as a major film (Film4 / BFI) starring Charlotte Rampling and Tom Courtenay. Directed by Andrew Haigh (Weekend , HBO’s Looking).
Another Country is set in an English public school in the early 1930's where future leaders are being prepared for their roles in the ruling class. Two of the central characters are outsiders: Guy Bennett is coming to terms with homosexuality and Tommy Judd is a committed Marxist. Judd wants to abolish the whole system of British life; Bennett wants a successful career within it. The school and the system have traditional ways of dealing with rebels.
Asking what Indian readers chose to read and why, In Another Country shows how readers of the English novel transformed the literary and cultural influences of empire. She further demonstrates how Indian novelists writing in English, from Krupa Satthianadhan to Salman Rushdie, took an alien form in an alien language and used it to address local needs. Taken together in this manner, reading and writing reveal the complex ways in which culture is continually translated and transformed in a colonial and postcolonial context.
America's red rock desert is a place unlike any other -- such a marvelous fusion of form and color -- and Another Country is a correspondingly unique song of praise. Pairing fifteen essays with fifteen short stories, acclaimed writer John A. Murray takes you deep into this wonderland, one of the most remarkable regions on Earth. The territory Murray celebrates is a vast triangle in the heart of the Colorado Plateau, a region embracing slickrock canyons, blue mesas, snow-capped peaks and the world's greatest concentration of national parks and monuments.
The book studies the emergence in the late 1960s and 1970s, of a sophisticated body of gay fiction in Catalan, and examines the relation between the representation of homosexuality and the discourses on national identity that legitimate modern Catalan literature
The southern Appalachians encompass one of the most beautiful, biologically diverse, and historically important regions of North America. In the widely acclaimed Another Country: Journeying toward the Cherokee Mountains, Christopher Camuto describes the tragic collision of natural and cultural history embedded in the region. In the spirit of Thoreau’s “Walking,” Camuto explores the Appalachian summit country of the Great Smoky Mountains--the historical home of the Cherokee--searching for access to the nature, history, and spirit of a magnificent, if diminished, landscape. As the author takes the reader through old-growth forests and ancient myths, he tells of the attempted restoration of Canis rufus, the controversial red wolf, to Great Smoky Mountains National Park. He details the impact of European occupation, and his meditations on the enduring relevance of Cherokee language, thought, and mythology evoke an appreciation of what were once sacred rivers, forests, and mountains. Through this attempt “to catch glimpses of the Cherokee Mountains beyond the veil of the southern Appalachians,” Camuto forges a new consciousness about the complex, conflicted past hidden there and leaves us with an important, thought-provoking book about a haunting American region.
The metropolis has been the near exclusive focus of queer scholars and queer cultures in America. Asking us to look beyond the cities on the coasts, Scott Herring draws a new map, tracking how rural queers have responded to this myopic mindset. Interweaving a wide range of disciplines—art, media, literature, performance, and fashion studies—he develops an extended critique of how metronormativity saturates LGBTQ politics, artwork, and criticism. To counter this ideal, he offers a vibrant theory of queer anti-urbanism that refuses to dismiss the rural as a cultural backwater. Impassioned and provocative, Another Country expands the possibilities of queer studies beyond its city limits. Herring leads his readers from faeries in the rural Midwest to photographs of white supremacists in the deep South, from Roland Barthes’s obsession with Parisian fashion to a graphic memoir by Alison Bechdel set in the Appalachian Mountains, and from cubist paintings in Lancaster County to lesbian separatist communes on the northern California coast. The result is an entirely original account of how queer studies can—and should—get to another country.