Every Frenchman Has One
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Back in print for the first time in decades, the delectable escapades of Hollywood legend Olivia de Havilland, who fell in love with a Frenchman and then became a Parisian. In 1953, Olivia de Havilland already an Academy Award-winning actress for her roles in "To Each His Own" and "The Heiress" became the heroine of her own real-life love affair. She married a Frenchman, moved to Paris, and planted her standard on the Left Bank of the River Seine. It has been fluttering on both Left and Right Banks with considerable joy and gaiety from that moment on.
Back in print for the first time in decades—and featuring a new interview with the author, in celebration of her centennial birthday—the delectable escapades of Hollywood legend Olivia de Havilland, who fell in love with a Frenchman—and then became a Parisian In 1953, Olivia de Havilland—already an Academy Award-winning actress for her roles in To Each His Own and The Heiress—became the heroine of her own real-life love affair. She married a Frenchman, moved to Paris, and planted her standard on the Left Bank of the River Seine. It has been fluttering on both Left and Right Banks with considerable joy and gaiety from that moment on. Still, her transition from Hollywood celebrity to parisienne was anything but easy. And in Every Frenchman Has One, her skirmishes with French customs, French maids, French salesladies, French holidays, French law, French doctors, and above all, the French language, are here set forth in a delightful and amusing memoir of her early years in the “City of Light.” Paraphrasing Caesar, Ms. de Havilland says, “I came. I saw. I was conquered.” From the Hardcover edition.
IPPY Award Bronze Medalist for Performing Arts Digging deep into the vaults of Warner Brothers and the collections of the Academy of Motion Picture Arts and Sciences as well as other private archives, this book explores the complex personal and professional relationship of Errol Flynn and Olivia de Havilland. Flynn, even 50 years after his death, continues to conjure up images to the prototypical handsome, charismatic ladies' man; while de Havilland, a two-time Best Actress Academy Award winner, is the last surviving star of Gone with the Wind. Richly illustrated with both color and black-and-white photos, most previously unpublished, this detailed history tells the sexy story of these two massive stars, both together and apart.
Legendary actress and two-time Academy Award winner Olivia de Havilland is best known for her role as Melanie Wilkes in Gone with the Wind (1939). She often inhabited characters who were delicate, elegant, and refined. At the same time, she was a survivor with a fierce desire to direct her own destiny on and off the screen. She fought and won a lawsuit against Warner Bros. over a contract dispute that changed the studio contract system forever. She is also noted for her long feud with her fellow actress and sister Joan Fontaine -- a feud that lasted from 1975 until Fontaine's death in 2013. Victoria Amador utilizes extensive interviews and forty years of personal correspondence with de Havilland to present an in-depth look at the life and career of this celebrated actress . Amador begins with de Havilland's early life -- she was born in Japan in 1916 to affluent British parents who had aspirations of success and fortune in faraway countries -- and her theatrical ambitions at a young age. The book then follows her career as she skyrocketed to star status, becoming one of the most well-known starlets in Tinseltown. Readers are given an inside look at her love affairs with iconic cinema figures such as James Stewart and John Huston, and her onscreen partnership with Errol Flynn, with whom she starred in The Adventures of Robin Hood (1938) and Dodge City (1939 ). After she moved to Europe in the mid-1950s, de Havilland became the first woman to serve as the president of the Cannes Film Festival in 1965, and remained active but selective in film and television until 1988. Olivia de Havilland: Lady Triumphant is a tribute to one of Hollywood's greatest legends, who has evolved from a gentle heroine to a strong-willed, respected, and admired artist.
*Includes pictures. *Includes de Havilland's quotes about her own life and career. *Includes a bibliography for further reading. Olivia de Havilland is one of the last few living actresses who worked during the Golden Era of Hollywood, but also one of the most decorated, winning dozens of awards over the course of a 50 year career. Among those, she most notably won the Academy Award for Best Actress for To Each His Own (1946) and The Heiress (1949), more than a decade after she got her start as an 18 year old in Hollywood. Ironically, de Havilland was in California in part because the young British girl who had been born in Tokyo stopped in the States for medical treatment. Of course, de Havilland isn't well remembered for any of those accolades or other movies but because she played Melanie Hamilton in Gone With the Wind (1939), perhaps the most famous movie in American history. Although she was a veteran actress at the time, de Havilland's career hadn't progressed much since she started, and rumor has it that she eventually got the role after her own sister, Joan Fontaine, was asked to audition for the part and recommended Olivia instead. Olivia was ultimately nominated for an Academy Award for Best Supporting Actress and became a household name in her adopted country overnight. Having been typecast in light romantic comedies before Gone With the Wind, that performance ensured de Havilland subsequently had a long, productive and versatile career making everything from Westerns and dramas. Of those movies, she is perhaps most closely associated with the enigmatic Errol Flynn, another foreign-born actor who was more notorious for his roles off the screen than on it. Before his untimely death, they appeared in several films together and became one of Hollywood's most popular on-screen couples. Legends of Hollywood: The Life of Olivia de Havilland profiles the life and career of one of Hollywood's most beloved actresses. Along with pictures of important people, places, and events, you will learn about de Havilland like never before, in no time at all.
This is classic Hollywood history as told through the life and career of one of its most iconic actresses. The book benefits tremendously from the author's meeting with Olivia de Havilland after he was assigned to handle her projected memoir at the Delacorte Press in 1973. Amburn also knew many of the key figures in her life and career, a veritable pantheon of Hollywood royalty from the 30s, 40s, and 50s: Jimmy Stewart, George Cukor, and David O. Selznick, and he was an editor at William Morrow when the company published the autobiography of de Havilland's difficult sister Joan Fontaine. Superbly researched and full of delicious anecdotes about Clark Gable, John Huston, Vivien Leigh, Laurence Olivier, Montgomery Clift, Errol Flynn, David Niven, and Bette Davis--particularly the bloody, bone-crunching fistfight Flynn and Huston waged over Olivia--this book not only profiles one of the finest actresses of her time, but also the culture of the film industry's Golden Age. It details de Havilland's relationships with the men who sought her--Howard Hughes, Jimmy Stewart, Errol Flynn, John F. Kennedy, Burgess Meredith, and John Huston, as well as her friendships with Grace Kelly, British Prime Minister Edward Heath, Ronald Reagan, Victor Fleming, and Ingrid Bergman. Here, too, are the fabulous and often surprising back stories of her 49 films, including Gone With the Wind, The Adventures of Robin Hood, The Snake Pit, Hush . . . Hush, Sweet Charlotte, and the two for which she won Oscars, The Heiress and To Each His Own. The account of the filming of Gone With the Wind is unique in that the author interviewed many of the people involved in the epic making of this masterpiece as Lois Dwight Cole, who discovered the novel, producer David O. Selznick, director George Cukor, agents Kay Brown and Annie Laurie Williams, Radie Harris, Vivien Leigh's closest friend in the press, and both Edie Goetz and Irene Mayer Selznick, daughters of Louis B. Mayer, head of MGM, the studio that funded, released, and ended up owning Gone With the Wind. Also included in this biography are Olivia's adventures with Bette Davis. They appeared together in four movies and Davis tried to destroy her, but Olivia stood up to Davis as no other actress had ever dared to do. She won Davis's respect, and by the time they made their biggest hit, Hush . . . Hush, Sweet Charlotte, a lasting friendship had blossomed. Undertaking a joint national publicity tour, they attracted mobs of boisterous fans and, in private, reminisced about the Golden Age of movies, evaluated the current crop of stars, and exchanged observations about love goddesses, nudity, and parenthood.
With Stuff Parisians Like, Olivier Magny shared his hilarious insights into the fervently held opinions of his fellow Parisians. Now he moves beyond the City of Light to skewer the many idiosyncrasies that make modern France so very unique. In France, the simple act of eating bread is an exercise in creative problem solving and attempting to spell requires a degree of masochism. But that’s just how the French like it—and in WTF, Olivier Magny reveals the France only the French know. From the latest trends in baby names, to the religiously observed division of church and state, prepare yourself for an insider's look at French culture that is surprising, insightful, and chock full of bons mots. INCLUDES PHOTOGRAPHS From the Trade Paperback edition.
The French drink, smoke and eat more fat than anyone in the world, yet they live longer and have fewer heart problems than the English and the Americans. They work 35-hour weeks and take seven weeks' paid holiday each year, yet they are the world's fourth-biggest economic power. So how do they do it? From a distance modern France looks like a riddle. It is both rigidly authoritarian, yet incredibly inventive; traditional (even archaic) yet modern; lacking clout on the international stage yet still hugely influential. But with the observations, anecdotes and analysis of the authors, who spent nearly three years living in France, it begins to makes sense. 'Sixty Million Frenchmen Can't Be Wrong' is a journey into the French heart, mind and soul. This book reveals French ideas about land, food, privacy and language and weaves together the threads of French society, uncovering the essence of life in France and giving, for the first time, a complete picture of the French.
Twenty years, seven letters, and one long-lost love of a lifetime At age 40, Samantha Verant's life is falling apart-she's jobless, in debt, and feeling stuck... until she stumbles upon seven old love letters from Jean-Luc, the sexy Frenchman she'd met in Paris when she was 19. With a quick Google search, she finds him, and both are quick to realize that the passion they felt 20 years prior hasn't faded with time and distance. Samantha knows that jetting off to France to reconnect with a man that she only knew for one sun-drenched, passion-filled day is crazy-but it's the kind of crazy she's been waiting for her whole life.
In December 1995, Jean-Dominique Bauby, the 43-year-old editor of French Elle, suffered a massive stroke that left him permanently paralyzed, a victim of “locked in syndrome.” Once known for his gregariousness and wit, Bauby now finds himself imprisoned in an inert body, able to communicate only by blinking his left eye. The miracle is that in doing so he was able to compose this stunningly eloquent memoir.In a voice that is by turns wistful and mischievous, angry and sardonic, Bauby gives us a celebration of the liberating power of consciousness: what it is like to spend a day with his children, to imagine lying in bed beside his wife, to conjure up the flavor of delectable meals even as he is fed through at tube. Most of all, this triumphant book lets us witness an indomitable spirit and share in the pure joy of its own survival.