Author : Alison Bechdel
Publisher : Houghton Mifflin Harcourt
Release :2007
Total pages :232
Language : EN, FR, DE, ES
ISBN : 0618871713

A memoir done in the form of a graphic novel by a cult favorite comic artist offers a darkly funny family portrait that details her relationship with her father--a funeral home director, high school English teacher, and closeted homosexual.

Author : Judith Kegan Gardiner
Publisher : Modern Language Association
Release :2018-10-01
Total pages :216
Language : EN, FR, DE, ES
ISBN : 9781603293600

Alison Bechdel’s Fun Home: A Family Tragicomic has quickly joined the ranks of celebrated literary graphic novels. Set in part at a family-run funeral home, the book explores Alison’s complicated relationship with her father, a closeted gay man. Amid the tensions of her home life, Alison discovers her own lesbian sexuality and her talent for drawing. The coming-of-age story and graphic format appeal to students. However, the book’s nonlinear structure; intertextuality with modernist novels, Greek myths, and other works; and frank representations of sexuality and death present challenges in the classroom. This volume offers strategies for teaching Fun Home in a variety of courses, including literature, women’s and gender studies, art, and education. Part 1, “Materials,†outlines the text’s literary, historical, and theoretical allusions. The essays of part 2, “Approaches,†emphasize the work’s genres, including autobiography and graphic narrative, as well as its psychological dimensions, including trauma, disability, and queer identity. The essays give options for reading Fun Home along with Bechdel’s letters and drafts; her long-running comic strip, Dykes to Watch Out For; the Broadway musical adaptation of the book; and other stories of LGBTQ lives.

Author : Jeanine Tesori,Lisa Kron
Publisher : Samuel French, Incorporated
Release :2015
Total pages :77
Language : EN, FR, DE, ES
ISBN : 0573704570

"Based on the graphic novel by Alison Bechdel."

Author : N.A
Publisher :
Release :2015
Total pages :128
Language : EN, FR, DE, ES
ISBN : 1559364858

Alison Bechdel's celebrated graphic memoir, lovingly adapted into a riveting new musical.

Author : N.A
Publisher :
Release :2009
Total pages :90
Language : EN, FR, DE, ES
ISBN : OCLC:404166124

Author : Maja-Felicia Kristan
Publisher : GRIN Verlag
Release :2019-09-23
Total pages :17
Language : EN, FR, DE, ES
ISBN : 9783346020376

Research Paper (undergraduate) from the year 2018 in the subject American Studies - Literature, grade: 1,0, University of Erfurt (Philosopische Fakultät), course: Literature in Images: Graphic Novels, language: English, abstract: This work analyzes the perception of authencity in "Fun Home". Alison Bechdel’s "Fun Home" from 2007 is a graphic memoir that tries to create a sense of truthfulness to the reality of the author’s memories by employing various means. This paper examines the techniques Bechdel uses for the creation of what may look for the reader like authenticity. By using for example Philippe Lejeune’s autobiographical pact the text closely analyzes the presentation of text and image concerning the protagonist Alison and the narrating voice as well as the role of photographs in the text. By investigating the protagonists self-portrayal through text and images this paper tries to point out the successfulness of appearing truth of the story as well as distinguish in which instance a disruption of before identified means in form of fictionalization can be found in the text and how this influences the perception of its authenticity. The second part of the paper then focuses on photography as another means to invoke a perception of truthfulness in the text with special attention to photography as means of memory and truth, based on theories by Roland Barthes and Marianne Hirsch as well as its possible fictionalization through the confines of the graphic novel genre and its significance in relation to the text’s authenticity.

Author : Katelynn Phillips
Publisher :
Release :2018
Total pages :71
Language : EN, FR, DE, ES
ISBN : OCLC:1048457519

Comics featuring LGBTQ children have the burden of challenging cis/heteronormative versions of childhood. Such examples of childhood, according to author Katherine Bond Stockton, are false and restrict children to a vision of innocence that leaves no room for queer children to experience their own versions of childhood. Furthermore, the Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) community has taken a "progressive"-based approach to time, assuming that newer generations have avoided the trauma of the past because ideas about sexual orientation and gender have advanced with time. Newer generations of the LGBTQ community forget that many have struggled for change to occur, instead choosing to forget the wounds of the past. By analyzing two comic works--Alison Bechdel's graphic novel Fun Home and Sophie Labelle's web comic series Assigned Male--I argue that we must let go of our suspicion towards LGBTQ child characters and open ourselves up to what can be learned from them. I also argue that both the past (with its wounds and trauma) and the future must be accepted into the present in order to give children the childhood they desire, rather than the childhood we recall. Both Fun Home and Assigned Male demonstrate that childhood is far from the simplistic happy time of life and can be just as fraught with complication as adulthood. Rather than try to protect children from this, these authors argue that we should empower children to locate their own sense of authenticity, in terms of both gender and sexuality. I argue that children are full of possibility and wisdom to guide current populations and change the future for the better through their struggles.

Author : Michael A. Chaney
Publisher : Univ of Wisconsin Press
Release :2011-03-01
Total pages :339
Language : EN, FR, DE, ES
ISBN : 9780299251031

Some of the most noteworthy graphic novels and comic books of recent years have been entirely autobiographical. In Graphic Subjects, Michael A. Chaney brings together a lively mix of scholars to examine the use of autobiography within graphic novels, including such critically acclaimed examples as Art Spiegelman’s Maus, David Beauchard’s Epileptic, Marjane Satrapi’s Persepolis, Alan Moore’s Watchmen, and Gene Yang’s American Born Chinese. These essays, accompanied by visual examples, illuminate the new horizons that illustrated autobiographical narrative creates. The volume insightfully highlights the ways that graphic novelists and literary cartoonists have incorporated history, experience, and life stories into their work. The result is a challenging and innovative collection that reveals the combined power of autobiography and the graphic novel.

Author : Alison Bechdel
Publisher : Houghton Mifflin Harcourt
Release :2012-05-01
Total pages :304
Language : EN, FR, DE, ES
ISBN : 9780547524368

The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem

Author : Carey Purcell
Publisher : Rowman & Littlefield Publishers
Release :2019-12-15
Total pages :312
Language : EN, FR, DE, ES
ISBN : 9781538115268

Theatre has long been considered a feminine interest for which women consistently purchase the majority of tickets, while the shows they are seeing typically are written and brought to the stage by men. Furthermore, the stories these productions tell are often about men, and the complex leading roles in these shows are written for and performed by male actors. Despite this imbalance, the feminist voice presses to be heard and has done so with more success than ever before. In From Aphra Behn to Fun Home: A Cultural History of Feminist Theatre, Carey Purcell traces the evolution of these important artists and productions over several centuries. After examining the roots of feminist theatre in early Greek plays and looking at occasional works produced before the twentieth century, Purcell then identifies the key players and productions that have emerged over the last several decades. This book covers the heyday of the second wave feminist movement—which saw the growth of female-centric theatre groups—and highlights the work of playwrights such as Caryl Churchill, Pam Gems, and Wendy Wasserstein. Other prominent artists discussed here include playwrights Paula Vogel Lynn and Tony-award winning directors Garry Hynes and Julie Taymor. The volume also examines diversity in contemporary feminist theatre—with discussions of such playwrights as Young Jean Lee and Lynn Nottage—and a look toward the future. Purcell explores the very nature of feminist theater—does it qualify if a play is written by a woman or does it just need to feature strong female characters?—as well as how notable activist work for feminism has played a pivotal role in theatre. An engaging survey of female artists on stage and behind the scenes, From Aphra Behn to Fun Home will be of interest to theatregoers and anyone interested in the invaluable contributions of women in the performing arts.