Manual Of Section
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Along with plan and elevation, section is one of the essential representational techniques of architectural design; among architects and educators, debates about a project's section are common and often intense. Until now, however, there has been no framework to describe or evaluate it. Manual of Section fills this void. Paul Lewis, Marc Tsurumaki, and David J. Lewis have developed seven categories of section, revealed in structures ranging from simple one-story buildings to complex structures featuring stacked forms, fantastical shapes, internal holes, inclines, sheared planes, nested forms, or combinations thereof. To illustrate these categories, the authors construct sixty-three intricately detailed cross-section perspective drawings of built projects—many of the most significant structures in international architecture from the last one hundred years—based on extensive archival research. Manual of Section also includes smart and accessible essays on the history and uses of section.
What if the constraints and limitations of architecture became the catalyst for design invention? The award-winningyoung architecture firm Lewis.Tsurumaki.Lewis calls their answers to this question "opportunistic architecture." It is a design philosophy that transforms the typically restrictive conditions of architectural practicesmall budgets, awkward spaces, strict zoninginto generators of architectural innovation. Often building portions of projects themselves, thesearchitects seek to maximize their project's impact through material fabrication and construction. Lewis.Tsurumaki.Lewis presents a diverse selection of built and speculative projects ranging from smallinstallations to larger institutional buildings. Their celebrated restaurant projectsincluding a café with a wall made by the architects from 479 cast-plaster coffee cup lidspresent innovative solutions to the challenges of working with existing space. Their large institutional buildings such as Bornhuetter Hall for Wooster College imaginatively engage the particulars of program, budget, client needs, and code. Their designs for a residence in Nazareth, Pennsylvania, morph from a standard suburban elevation on the street front to a modern pavilion at the back. Also included are a selection of the firm's speculative projects addressing issues of urbanism and suburbanism. Built projects are accompanied by thought-provoking texts, beautiful drawings, and photographs. An appendix distills their design philosophy into five tactics, a readymade code forstudents and practitioners looking for design ideas for the real world. Lewis.Tsurumaki.Lewis will enlighten and inspire architects to create more useful, attractive, and interesting forms.
This revised edition focuses on the spaces of production in cities--both the modernist period and today--and the technologies that have contributed to shifts in factory architecture, manufacturing, and urban design. Vertical Urban Factory tracks the evolution of the vertical urban factory from the first industrial revolution to the present and provides an analysis of the political, social, and economic factors that have shaped today's global industrial landscape. Ultimately, it provokes new concepts for the futureof urban manufacturing, and the necessity of creating new paradigms for sustainable, self-sufficient urban industry. Illustrated with historic and contemporary photographs, manufacturing process diagrams, and infographics by MGMT Design.
Graphic Design for Architects is a handbook of techniques, explanations and examples of graphic design most relevant to architects. The book covers a variety of scales of graphic design, everything from portfolio design and competition boards, to signage and building super-graphics – to address every phase of architectural production. This book combines and expands on information typically found in graphic design, information design, and architectural graphics books. As architectural communication increases to include more territory and components of a project, it is important for designers to be knowledgeable about the various ways in which to communicate visually. For instance, signage should be designed as part of the process – not something added at the end of a project; and the portfolio is a manifestation of how the designer works, not just an application to sell a design sensibility. In thinking about architecture as a systematic and visual project, the graphic design techniques outlined in this book will help architects process, organize and structure their work through the lens of visual communication. Each chapter is titled and organized by common architectural modes of communication and production. The chapters speak to architects by directly addressing projects and topics relevant to their work, while the information inside each chapter presents graphic design methods to achieve the architects’ work. In this way, readers don’t have to search through graphic design books to figure out what’s relevant to them – this book provides a complete reference of graphic techniques and methods most useful to architects in getting their work done.