Nickel And Dimed
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Our sharpest and most original social critic goes "undercover" as an unskilled worker to reveal the dark side of American prosperity. Millions of Americans work full time, year round, for poverty-level wages. In 1998, Barbara Ehrenreich decided to join them. She was inspired in part by the rhetoric surrounding welfare reform, which promised that a job -- any job -- can be the ticket to a better life. But how does anyone survive, let alone prosper, on $6 an hour? To find out, Ehrenreich left her home, took the cheapest lodgings she could find, and accepted whatever jobs she was offered. Moving from Florida to Maine to Minnesota, she worked as a waitress, a hotel maid, a cleaning woman, a nursing-home aide, and a Wal-Mart sales clerk. She lived in trailer parks and crumbling residential motels. Very quickly, she discovered that no job is truly "unskilled," that even the lowliest occupations require exhausting mental and muscular effort. She also learned that one job is not enough; you need at least two if you int to live indoors. Nickel and Dimed reveals low-rent America in all its tenacity, anxiety, and surprising generosity -- a land of Big Boxes, fast food, and a thousand desperate stratagems for survival. Read it for the smoldering clarity of Ehrenreich's perspective and for a rare view of how "prosperity" looks from the bottom. You will never see anything -- from a motel bathroom to a restaurant meal -- in quite the same way again.
THE STORY: Can a middle-aged, middle-class woman survive, when she suddenly has to make beds all day in a hotel and live on $7 an hour? Maybe. But one $7-an-hour job won't pay the rent: she'll have to do back-to-back shifts, as a chambermaid and a
From history of the budget process to detail about the ongoing conflict in Washington, from charts explaining where every federal dollar goes to simple explanations of budget terminology, this book about the federal budget also covers up-to-the-minute numbers and an explanation of President Obamas 2013 budget request.
Purification is not pretty. Chief of Sinners shares the process of looking at self and looking in God's mirror and seeing the truth. Forced into the presence of God, with nowhere else to go but up, towards the Rock that is higher that I; God was my only hope, He was my only way out. Chief of Sinners shares the process of purification, by any means necessary. To receive the Lord Jesus Christ as your personal Savior, simply pray: Dear Lord Jesus, I know that I am sinful and I need your forgiveness. I believe that you died to pay the penalty for my sin. I want to turn from my sin nature and follow you instead. I invite you into my heart and life, in Jesus' name, Amen.
One of the first champions of the positive effects of gaming reveals the dark side of today's digital and social media Today's schools are eager to use the latest technology in the classroom, but rather than improving learning, the new e-media can just as easily narrow students' horizons. Education innovator James Paul Gee first documented the educational benefits of gaming a decade ago in his classic What Video Games Have to Teach Us About Learning and Literacy. Now, with digital and social media at the center of modern life, he issues an important warning that groundbreaking new technologies, far from revolutionizing schooling, can stymie the next generation's ability to resolve deep global challenges. The solution-and perhaps our children's future-lies in what Gee calls synchronized intelligence, a way of organizing people and their digital tools to solve problems, produce knowledge, and allow people to count and contribute. Gee explores important strategies and tools for today's parents, educators, and policy makers, including virtual worlds, artificial tutors, and ways to create collective intelligence where everyday people can solve hard problems. By harnessing the power of human creativity with interactional and technological sophistication we can finally overcome the limitations of today's failing educational system and solve problems in our high-risk global world. The Anti-Education Era is a powerful and important call to reshape digital learning, engage children in a meaningful educational experience, and bridge inequality.
Challenging conventional constructions of the Harlem Renaissance and American modernism, Daylanne English links writers from both movements to debates about eugenics in the Progressive Era. She argues that, in the 1920s, the form and content of writings by figures as disparate as W. E. B. Du Bois, T. S. Eliot, Gertrude Stein, and Nella Larsen were shaped by anxieties regarding immigration, migration, and intraracial breeding. English's interdisciplinary approach brings together the work of those canonical writers with relatively neglected literary, social scientific, and visual texts. She examines antilynching plays by Angelina Weld Grimke as well as the provocative writings of white female eugenics field workers. English also analyzes the Crisis magazine as a family album filtering uplift through eugenics by means of photographic documentation of an ever-improving black race. English suggests that current scholarship often misreads early-twentieth-century visual, literary, and political culture by applying contemporary social and moral standards to the past. Du Bois, she argues, was actually more of a eugenicist than Eliot. Through such reconfiguration of the modern period, English creates an allegory for the American present: because eugenics was, in its time, widely accepted as a reasonable, progressive ideology, we need to consider the long-term implications of contemporary genetic engineering, fertility enhancement and control, and legislation promoting or discouraging family growth.
“‘Oh, little one,’ he whispered, as he gently stroked her cheek, the first time he had touched her in fifteen years. ‘What have they done to you? What have they done to us all?’ ” In his latest dark and chilling Charlie Parker thriller, New York Times bestselling author John Connolly takes us to the border between Maine and Canada. It is there, in the vast and porous Great North Woods, that a dangerous smuggling operation is taking place, run by a group of disenchanted former soldiers, newly returned from Iraq. Illicit goods—drugs, cash, weapons, even people—are changing hands. And something else has changed hands. Something ancient and powerful and evil. The authorities suspect something is amiss, but what they can’t know is that it is infinitely stranger and more terrifying than anyone can imagine. Anyone, that is, except private detective Charlie Parker, who has his own intimate knowledge of the darkness in men’s hearts. As the smugglers begin to die one after another in apparent suicides, Parker is called in to stop the bloodletting. The soldiers’ actions and the objects they have smuggled have attracted the attention of the reclusive Herod, a man with a taste for the strange. And where Herod goes, so too does the shadowy figure that he calls the Captain. To defeat them, Parker must form an uneasy alliance with a man he fears more than any other, the killer known as the Collector. . . .