The North Water
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One of The New York Times Book Review's 10 Best Books of the Year National Bestseller Longlisted for the Man Booker Prize Winner of the RSL Encore Award Finalist for the Los Angeles Book Prize A New York Times and Wall Street Journal Bestseller Named a Best Book of the Year by Chicago Tribune, The Wall Street Journal, The Guardian, New Statesman, Publishers Weekly, and Chicago Public Library Behold the man: stinking, drunk, and brutal. Henry Drax is a harpooner on the Volunteer, a Yorkshire whaler bound for the rich hunting waters of the arctic circle. Also aboard for the first time is Patrick Sumner, an ex-army surgeon with a shattered reputation, no money, and no better option than to sail as the ship's medic on this violent, filthy, and ill-fated voyage. In India, during the Siege of Delhi, Sumner thought he had experienced the depths to which man can stoop. He had hoped to find temporary respite on the Volunteer, but rest proves impossible with Drax on board. The discovery of something evil in the hold rouses Sumner to action. And as the confrontation between the two men plays out amid the freezing darkness of an arctic winter, the fateful question arises: who will survive until spring? With savage, unstoppable momentum and the blackest wit, Ian McGuire's The North Water weaves a superlative story of humanity under the most extreme conditions.
LONGLISTED FOR THE MAN BOOKER PRIZE 2016 A NEW YORK TIMES TOP TEN NOTABLE BOOK 2016 SHORTLISTED FOR THE LA TIMES BOOK PRIZE 2017 -- Winner of the RSL Encore Award 2017 -- A ship sets sail with a killer on board . . . 1859. A man joins a whaling ship bound for the Arctic Circle. Having left the British Army with his reputation in tatters, Patrick Sumner has little option but to accept the position of ship's surgeon on this ill-fated voyage. But when, deep into the journey, a cabin boy is discovered brutally killed, Sumner finds himself forced to act. Soon he will face an evil even greater than he had encountered at the siege of Delhi, in the shape of Henry Drax: harpooner, murderer, monster . . . 'A tour de force' Hilary Mantel 'Riveting and darkly brilliant' Colm Tóibín
"A fast-paced, gripping story set in a world of gruesome violence and perversity, where 'why?' is not a question and murder happens on a whim: but where a very faint ray of grace and hope lights up the landscape of salt and blood and ice. A tour de force of narrative tension and a masterful reconstruction of a lost world that seems to exist at the limits of the human imagination." --Hilary Mantel “This is a novel that takes us to the limits of flesh and blood. Utterly convincing and compelling, remorselessly vivid, and insidiously witty, The North Water is a startling achievement.” --Martin Amis A nineteenth-century whaling ship sets sail for the Arctic with a killer aboard in this dark, sharp, and highly original tale that grips like a thriller. Behold the man: stinking, drunk, and brutal. Henry Drax is a harpooner on the Volunteer, a Yorkshire whaler bound for the rich hunting waters of the arctic circle. Also aboard for the first time is Patrick Sumner, an ex-army surgeon with a shattered reputation, no money, and no better option than to sail as the ship's medic on this violent, filthy, and ill-fated voyage. In India, during the Siege of Delhi, Sumner thought he had experienced the depths to which man can stoop. He had hoped to find temporary respite on the Volunteer, but rest proves impossible with Drax on board. The discovery of something evil in the hold rouses Sumner to action. And as the confrontation between the two men plays out amid the freezing darkness of an arctic winter, the fateful question arises: who will survive until spring? With savage, unstoppable momentum and the blackest wit, Ian McGuire's The North Water weaves a superlative story of humanity under the most extreme conditions.
Access to safe drinking water and proper sanitation is essential for human survival and for maintenance of a decent quality of life. Currently, more than a billion people do not have access to safe drinking water and more than two billion people lack proper sanitation. In 1992, the United Nations proclaimed that water should be considered to be a human right. This position, however, has not been accepted by many developed and developing countries. This book systematically and comprehensively analyzes the legal development of the concept of water as a human right; implications for the national governments, and international and national organizations for the implementation of this concept; progress made in different Middle East and North African countries to provide every individual access to clean water and sanitation, constraints faced to assure universal access to water-related services and how these constraints can be overcome, and an overall research agenda in areas where more knowledge is necessary.
“Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.
Thirty-something Morris Gutman is a chronically indecisive temporary lecturer at the University of Coketown. Life hasn't turned out as he planned: he has a demanding wife, an insomniac child and teaches demeaning courses to ungrateful English students. However, he is willing to do whatever it takes to negotiate a permanent departmental job, even if it means finding his way through the minefield that is academia and winning over the alluring and manipulative research fellow Zoe Cable.
This volume presents the latest research related to the current water situation, as well as its significance for the peaceful coexistence of the neighbouring countries. The book focuses on crucial topics: water resources, water protection, water management and water as a source of conflict. Topics such as sewage disposal and soil protection, as well as the transfer of environmental technology are also discussed.
Deep Water Dream is a hopeful memoir that shares the author’s voyage of discovery as a mother, wife, and physician in underserved communities in northern Ontario.
From the Yangtze to the Yellow River, China is traversed by great waterways, which have defined its politics and ways of life for centuries. Water has been so integral to China’s culture, economy, and growth and development that it provides a window on the whole sweep of Chinese history. In The Water Kingdom, renowned writer Philip Ball opens that window to offer an epic and powerful new way of thinking about Chinese civilization. Water, Ball shows, is a key that unlocks much of Chinese culture. In The Water Kingdom, he takes us on a grand journey through China’s past and present, showing how the complexity and energy of the country and its history repeatedly come back to the challenges, opportunities, and inspiration provided by the waterways. Drawing on stories from travelers and explorers, poets and painters, bureaucrats and activists, all of whom have been influenced by an environment shaped and permeated by water, Ball explores how the ubiquitous relationship of the Chinese people to water has made it an enduring metaphor for philosophical thought and artistic expression. From the Han emperors to Mao, the ability to manage the waters ― to provide irrigation and defend against floods ― was a barometer of political legitimacy, often resulting in engineering works on a gigantic scale. It is a struggle that continues today, as the strain of economic growth on water resources may be the greatest threat to China’s future. The Water Kingdom offers an unusual and fascinating history, uncovering just how much of China’s art, politics, and outlook have been defined by the links between humanity and nature.
Leonardo da Vinci, the eminent Renaissance scholar and philosopher said, "water is the driver of nature". Many may have considered it to be an overstatement in the past, but at the beginning of the third millennium, no sane individual would disagree with Leonardo's view. Water is becoming an increasingly scarce resource for most of the world's citizens. The current trends indicate that the overall situation is likely to deteriorate further, at least for the next two decades, unless the water profession eschews its existing "business as usual" practices, which can only allow incremental changes to occur. Somewhat surprisingly, the water profession as a whole neither realised nor appreciated the gravity of the global water situation as late as 1990, even though a few serious scholars have been pointing out the increasing criticality of the situation from around 1982. For example, the seriousness of the crisis was not a major issue, either at the International Conference on W ater and the Environment, which was organised by the UN system in Dublin and also at the UN Conference on Environment and Development at Rio de Janeiro. Held in 1992, both are considered to be important events for the water sector of the past decade. It is now being increasingly recognised that the Dublin Conference was poorly planned and organised, and thus not surprisingly it produced very little, if any, worthwhile and lasting results.