The Story Of A New Name
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A novel in the bestselling quartet about two very different women and their complex friendship: “Everyone should read anything with Ferrante’s name on it” (The Boston Globe). The follow-up to My Brilliant Friend, The Story of a New Name continues the epic New York Times–bestselling literary quartet that has inspired an HBO series, and returns us to the world of Lila and Elena, who grew up together in post-WWII Naples, Italy. In The Story of a New Name, Lila has recently married and made her entrée into the family business; Elena, meanwhile, continues her studies and her exploration of the world beyond the neighborhood that she so often finds stifling. Marriage appears to have imprisoned Lila, and the pressure to excel is at times too much for Elena. Yet the two young women share a complex and evolving bond that is central to their emotional lives and a source of strength in the face of life’s challenges. In these Neapolitan Novels, Elena Ferrante, “one of the great novelists of our time” (The New York Times), gives us a poignant and universal story about friendship and belonging, a meditation on love and jealousy, freedom and commitment—at once a masterfully plotted page-turner and an intense, generous-hearted family saga. “Imagine if Jane Austen got angry and you’ll have some idea of how explosive these works are.” —The Australian “Brilliant . . . captivating and insightful . . . the richness of her storytelling is likely to please fans of Sara Gruen and Silvia Avallone.” —Booklist (starred review)
A New York Times BestsellerThe Neapolitan Novels (Book 2)A modern masterpice from one of Italy's most acclaimed authors. My Brillant Briend is a rich, intense, and generous-hearted portrait of two friends, Elena and Lila. Through their lives, Ferrante tells the story of a neighborhood, a city, and a country undergoing momentous change.
A New York Times BestsellerThe Neapolitan Novels (Book 1)A modern masterpice from one of Italy's most acclaimed authors set against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, this story of a lifelong friendship is told with unmatched honesty. Lila and Elena clash, drift apart, reconcile, and clash again, in the process revealing new facets of their friendship.With My Brillant Briend Ferrante begins the rich, intense, and generous-hearted portrait of two friends, Elena and Lila. Through their lives, she tells the story of a neighborhood, a city, and a country undergoing momentous change.
Since the publication of the acclaimed My Brilliant Friend and The Story of A New Name, Elena Ferrante’s reputation has grown enormously. Her novels about the friendship between Lila and Elena, about the mysteries of human relationships, are utterly compelling. In Those Who Leave and Those Who Stay, the two protagonists are now in their thirties. Lila, married at sixteen, has left her husband and the comforts of her marriage, and has now joined the workforce. Elena has left the neighbourhood in Naples, been to university, and published a successful novel, all of which has brought her into a wealthier, more cultured world. Both women are seizing opportunities to flee a life of poverty, ignorance and submission. Yet they are still very much bound to each other by an unbreakable bond. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Fragments, a selection of interviews, letters and occasional writings by Ferrante, will be published in early 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘In the past decade, no fiction writer has made it more necessary to think about the performative aspect of being a woman than Elena Ferrante. Her novels, written originally in Italian and translated beautifully by Ann Goldstein, are ferociously engaged with the ways in which a woman—as a daughter, a teenager, a lover, and, most dramatically, a mother—is a kind of person in drag, speaking through a costume that slowly becomes all that one knows of her...It’s Ferrante’s ability to capture both the mirror and the woman standing before it that makes her a writer to be reckoned with.’ John Freeman ‘Nothing you read about Elena Ferrante’s work prepares you for the ferocity of it...This is a woman’s story told with such truthfulness that it is not so much a life observed as it is felt.’ New York Times ‘Elena Ferrante is one of the great novelists of our time...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘It is a testament to Ferrante’s achievement that, at the end of this third book and anticipating the fourth, it seems there’s limitless potential for Lina to reinvent herself again.’ Times Literary Supplement ‘Ferrante’s project is bold: her books chronicle the inner conflicts of intelligent women...Her writing has a powerful intimacy...a bona fide literary sensation–the famous writer nobody knows.’ Guardian UK ‘The best thing I’ve read this year, far and away...She’s marvellous.’ Richard Flanagan 'The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily
The “stunning conclusion” to the bestselling saga of the fierce lifelong bond between two women, from a gritty Naples childhood through old age (Publishers Weekly, starred review). The Story of the Lost Child concludes the dazzling saga of two women, the brilliant, bookish Elena and the fiery, uncontainable Lila, who first met amid the shambles of postwar Italy. In this book, life’s great discoveries have been made; its vagaries and losses have been suffered. Through it all, the women’s friendship remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved. Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet, somehow, this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief. “Lila is a magnificent character.” —The Atlantic “Everyone should read anything with Ferrante’s name on it.” —The Boston Globe
From the New York Times–bestselling author of My Brilliant Friend, this novel of a deserted wife’s descent into despair—and rage—is “a masterpiece” (The Philadelphia Inquirer). The Days of Abandonment is the gripping story of an Italian woman’s experiences after being suddenly left by her husband after fifteen years of marriage. With two young children to care for, Olga finds it more and more difficult to do the things she used to: keep a spotless house, cook meals with creativity and passion, refrain from using obscenities. After running into her husband with his much-younger new lover in public, she cannot even refrain from assaulting him physically. In a “raging, torrential voice” (The New York Times), Olga conveys her journey from denial to devastating emptiness—and when she finds herself literally trapped within the four walls of their high-rise apartment, she is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal. “Intelligent and darkly comic.” —Publishers Weekly “Remarkable, lucid, austerely honest.” —The New Yorker
A remarkable literary debut--shortlisted for the Man Booker Prize! The unflinching and powerful story of a young girl's journey out of Zimbabwe and to America. Darling is only ten years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad. But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her--from Junot Diaz to Zadie Smith to J.M. Coetzee--while she tells a vivid, raw story all her own.
The new kid in school needs a new name! Or does she? Being the new kid in school is hard enough, but what about when nobody can pronounce your name? Having just moved from Korea, Unhei is anxious that American kids will like her. So instead of introducing herself on the first day of school, she tells the class that she will choose a name by the following week. Her new classmates are fascinated by this no-name girl and decide to help out by filling a glass jar with names for her to pick from. But while Unhei practices being a Suzy, Laura, or Amanda, one of her classmates comes to her neighborhood and discovers her real name and its special meaning. On the day of her name choosing, the name jar has mysteriously disappeared. Encouraged by her new friends, Unhei chooses her own Korean name and helps everyone pronounce it—Yoon-Hey.
Spying and eavesdropping on his separating parents at the side of his best friend, young Miles wonders about a stranger's role in his parents' lives before acquiring knowledge that has consequences for the whole family. 25,000 first printing.