The Story Of The Lost Child
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The “stunning conclusion” to the bestselling saga of the fierce lifelong bond between two women, from a gritty Naples childhood through old age (Publishers Weekly, starred review). The Story of the Lost Child concludes the dazzling saga of two women, the brilliant, bookish Elena and the fiery, uncontainable Lila, who first met amid the shambles of postwar Italy. In this book, life’s great discoveries have been made; its vagaries and losses have been suffered. Through it all, the women’s friendship remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved. Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet, somehow, this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief. “Lila is a magnificent character.” —The Atlantic “Everyone should read anything with Ferrante’s name on it.” —The Boston Globe
The summer before going into high school, Fiona receives a mysterious box in the mail, one that she hopes will answer her questions about her Anishinaabe Indian heritage. It contains stories written by the grandfather she never knew, an Anishinaabe man her mother refuses to talk about. As she reads his stories about blackbirds and bigfoot, as well as tales about Indians in space and homeless Native men camping by the river in Minneapolis, Fiona finds other questions arising—questions about her grandfather and the experiences that shaped his stories, questions about her mother’s silence regarding the grandfather she never knew. Fiona’s desire to know more and her mother’s reluctance to share stir up bitter feelings of anger and disappointment that slowly transform as she reads the stories into a warmer understanding of the difficulties of family, love, and the weight of the past.
Basis for the upcoming Maggie Gyllenhaal film starring Olivia Colman: An edgy tale of mixed feelings and motherhood by the author of My Brilliant Friend. Leda, a middle-aged divorcée, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young mother on the beach, eventually striking up a conversation with her. After Nina confides a dark secret, one seemingly trivial occurrence leads to events that could destroy Nina’s family in this “arresting” novel by the author of the New York Times–bestselling Neapolitan Novels, which have sold millions of copies and been adapted into an HBO series (Publishers Weekly). “Although much of the drama takes place in [Leda’s] head, Ferrante’s gift for psychological horror renders it immediate and visceral.” —The New Yorker “Ferrante’s prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret.” —Publishers Weekly
One bleak, late winter's day, Julie Myerson finds herself in a graveyard, looking for traces of a young woman who died nearly two centuries before. As a child in Regency England, Mary Yelloly painted an exquisite album of watercolours that uniquely reflected the world she lived in. But Mary died at the age of twenty-one, and when Julie comes across this album, she is haunted by the potential never realised, the barely-lived life cut short. And most of all, she is reminded of her own child. Because only days earlier, Julie and her husband locked their eldest son out of the family home. He was just seventeen. How could it have come to this? After a happy growing-up, it had taken only a matter of months for this bright, sweet, good-humoured boy to completely lose his way and propel his family into daily chaos. He had discovered cannabis and was now smoking it everyday - and nothing they could say or do, no help they could offer, seemed to reach him. And Julie - whose emotionally fragile relationship with her own father had left her determined to love her children better - had to accept that she was, for the moment at least, powerless to bring back the boy she had known. Honest, warm and often profoundly upsetting, this is the parallel story of a girl and a boy separated by centuries. The circumstances are very different, but the questions remain terrifyingly the same. What happens when a child disappears from a family? What will survive of any of us in memory or in history? And how is a mother to cope when love - however absolute, however unconditional - is not enough to save her child?
Part of the bestselling saga about childhood friends following different paths by “one of the great novelists of our time” (The New York Times). In the third book in the New York Times–bestselling Neapolitan quartet that inspired the HBO series My Brilliant Friend, Elena and Lila have grown into womanhood. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up for women during the 1970s. And yet, they are still very much bound to each other in a book that “shows off Ferrante’s strong storytelling ability and will leave readers eager for the final volume of the series” (Library Journal). “One of modern fiction’s richest portraits of a friendship.” —NPR
Winner of the Hurston/Wright Legacy Award Caryl Phillips's The Lost Child is a sweeping story of orphans and outcasts, haunted by the past and fighting to liberate themselves from it. At its center is Monica Johnson—cut off from her parents after falling in love with a foreigner—and her bitter struggle to raise her sons in the shadow of the wild moors of the north of England. Phillips intertwines her modern narrative with the childhood of one of literature's most enigmatic lost boys, as he deftly conjures young Heathcliff, the anti-hero of Wuthering Heights, and his ragged existence before Mr. Earnshaw brought him home to his family. The Lost Child is a multifaceted, deeply original response to Emily Bronte's masterpiece, Wuthering Heights. A critically acclaimed and sublimely talented storyteller, Caryl Phillips is "in a league with Toni Morrison and V. S. Naipaul" (Booklist) and "his novels have a way of growing on you, staying with you long after you've closed the book." (The New York Times Book Review) A true literary feat, The Lost Child recovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by transforming a classic into a profound story that is singularly its own.
Long-listed, Miles Franklin Literary Award, 2015, Australia. Sylvie is five. It's the 1950s and she lives in Burley Point, a fishing village south of the Coorong on Australia's wild southern coast. She worships her older brother Dunc. She tries to make sense of her brooding mother, and her moody father who abandons the family to visit The Trollop, Layle Lewis, who lives across the lagoon. It's hard to keep secrets in a small town, but when Dunc goes missing, Sylvie is terrified that she is the cause. Now her father is angry all the time; her mother won't leave the house or stop cleaning. The bush and the birds and the endless beach are Sylvie's only salvation, apart from her teacher, Miss Taylor. In the tradition of the novels of Anne Tyler and Eudora Welty, The Lost Child is a beautifully written story about family and identity and growing up. Sylvie is a charming narrator with a big heart and a sharp eye for the comic moment. As the years go by she learns how tiny events can changes entire lives, and how leaving might be the only solution when the the world will never be the same again. Suzanne McCourt lives in Melbourne. The Lost Child is her first novel. 'The Lost Child is an assured and bittersweet coming-of-age tale with a vivid sense of time and place...The novel is a strong addition to the shelves of Australian literary fiction.' Australian Bookseller and Publisher 'An absorbing and often funny coming of age story...those who enjoy life's complexities and difficulties will find it a thoroughly engrossing read.' Bendigo Weekly 'Suzanne McCourt has with great empathy and skill created the turmoil in the mind of a little girl...a haunting story, it also demonstrates the power of the human psyche to overcome past difficulties and find was to fully live.' Otago Daily Times 'There are echoes of Tim Winton in McCourt's coastal small-town coming-of-age/breaking of spirit/triumphing over the odds under a wide sky-style writing...plainspoken but deftly crafted, laced with both humour and searing sadness. Highly recommended.' NZ Herald 'Written in beautiful, slow prose...This is a promising debut...You can't help but be keen to see what she does next.' Adelaide Advertiser 'McCourt's writing is assured and sinuous.' Belle Place, Readings 'Sylvie endures trauma, bullying, rejection and self-blame yet she largely manages to channel her energy into positives like creative photography and excelling at school. She is a survivor.' ReadPlus 'There's a watchful intensity to McCourt's writing, a remarkable ability to discover within the most concrete details a rich and raw emotion...a novel that is at once very familiar and entirely fresh.' Weekend Australian 'The story tugs at the heartstrings...I look forward to seeing what this author writes next.' Waikato Times '[The Lost Child] reminds me of the quality of Ruth Park's writing in evoking the strengths and weaknesses of a small community...and the tragedies and humour amongst the everyday...A multi-layered novel with symbolism which stays with you after the last page. A significant writer with compassion. Highly recommended for adult and YA readers.' Hazel Edwards 'The Lost Child is a haunting tale of family life, identity and coming-of-age from an author who writes with a vivid sense of time and place.' Launceston Examiner
The first new book from beloved therapist and writer Torey Hayden in almost fifteen years—an inspiring, uplifting tale of a troubled child and the remarkable woman who made a difference. In a forgotten corner of Wales, a young girl languishes in a home for troubled children. Abandoned by her parents because of her violent streak, Jessie—at the age of ten—is at risk of becoming just another lost soul in the foster system. Precocious and bold, Jessie is convinced she is possessed by the devil and utterly unprepared for the arrival of therapist Torey Hayden. Armed with patience, compassion, and unconditional love, Hayden begins working with Jessie once a week. But when Jessie makes a stunning accusation against one of Hayden’s colleagues – a man Hayden implicitly trusts – Hayden’s work doubles: now she must not only get to the root of Jessie’s troubles, but also find out if what the girl alleges is true. A moving, compelling, and inspiring account, Lost Child is a powerful testament once again of Torey Hayden’s extraordinary ability to reach children who many have given up on—and a reminder of how patience and love can ultimately prevail.
Mandy Miller disappeared from Hallow’s End when she was just 3 years old. She was never found. ‘The Lost Child is complex, mysterious and highly compelling reading.’ - Reviewed the Book
New York Times Bestseller The heartbreaking true story of an Irishwoman and the secret she kept for 50 years When she became pregnant as a teenager in Ireland in 1952, Philomena Lee was sent to a convent to be looked after as a “fallen woman.” Then the nuns took her baby from her and sold him, like thousands of others, to America for adoption. Fifty years later, Philomena decided to find him. Meanwhile, on the other side of the Atlantic, Philomena’s son was trying to find her. Renamed Michael Hess, he had become a leading lawyer in the first Bush administration, and he struggled to hide secrets that would jeopardize his career in the Republican Party and endanger his quest to find his mother. A gripping exposé told with novelistic intrigue, Philomena pulls back the curtain on the role of the Catholic Church in forced adoptions and on the love between a mother and son who endured a lifelong separation.