The Things They Carried
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A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.
The million copy bestseller that redefined the way the world saw war. One of the ten books - novels, memoirs and one very unusual biography - that make up our Matchbook Classics' series, a stunningly redesigned collection of some of the best loved titles on our backlist.The Things They Carried is the definitive account of what it was like being on the ground in Vietnam. But while that devastating conflict is central to the book, it is not simply about war. It is a book about memory, imagination, and the redemptive power of storytelling. It is also about the human heart - about the terrible weight of those things we carry through our lives. The men of Alpha Company - Jimmy Cross, Norman Bowker, Rat Kiley, Mitchell Sanders, Henry Dobbins and Kiowa - slog through the emptiness and dangers of their Vietnam tour in this haunting and acclaimed collection, which has the cumulative power and unity of a novel.
This riveting novel of love and mystery from the author of The Things They Carried examines the lasting impact of the twentieth century’s legacy of violence and warfare, both at home and abroad. When long-hidden secrets about the atrocities he committed in Vietnam come to light, a candidate for the U.S. Senate retreats with his wife to a lakeside cabin in northern Minnesota. Within days of their arrival, his wife mysteriously vanishes into the watery wilderness.
This 'SparkNote' delivers knowledge on 'The Things They Carried'. Including summaries of every chapter with thorough analysis, explanation of the key themes, motifs, symbols and more.
Best-selling author Tim O’Brien shares wisdom from a life in letters, lessons learned in wartime, and the challenges, humor, and rewards of raising two sons. “We are all writing our maybe books full of maybe tomorrows, and each maybe tomorrow brings another maybe tomorrow, and then another, until the last line of the last page receives its period.” In 2003, already an older father, National Book Award–winning novelist Tim O’Brien resolved to give his young sons what he wished his own father had given to him—a few scraps of paper signed “Love, Dad.” Maybe a word of advice. Maybe a sentence or two about some long-ago Christmas Eve. Maybe some scattered glimpses of their rapidly aging father, a man they might never really know. For the next fifteen years, the author talked to his sons on paper, as if they were adults, imagining what they might want to hear from a father who was no longer among the living. O’Brien traverses the great variety of human experience and emotion, moving from soccer games to warfare to risqué lullabies, from alcoholism to magic shows to history lessons to bittersweet bedtime stories, but always returning to a father’s soul-saving love for his sons. The result is Dad’s Maybe Book, a funny, tender, wise, and enduring literary achievement that will squeeze the reader’s heart with joy and recognition.
This collection of seven essays, like the carefully linked collection of vignettes within Tim O'Brien's most popular book The Things They Carried, contains multiple critical and biographical angles with recurring threads of life events, themes, characters, creative techniques, and references to all of O'Brien's books. Grounded in through research, Herzog's work illustrates how O'Brien merges his life experiences with his creative production; he rarely misses an opportunity to introduce these critical life events into his writing.
Seminar paper from the year 2011 in the subject American Studies - Literature, grade: 2,7, University of Mannheim (Anglistisches Seminar), course: In Times of Crisis. Representations of War in American Literature and Film from the Civil War to Iraq, language: English, abstract: In the book "The things they carried" by Tim O'Brien the narrator says that a good war story is never true. He admits that nearly everything in the book is made up, after saying that it is true before. However, the reader learns that not until the 7th chapter, in which O'Brien, the narrator, tells the reader that everything up to now has been invented. Similarly, he leaves open if some things are true or not. Even the narrator, who is named like the author himself, is made up and has no or little similarity to the author, e.g the author O'Brien does not have a daughter, whereas the narrator O'Brien does. Reading "The things they carried," a question keeps coming up again and again: Why does he do that? Why does Tim O'Brien, the narrator, constantly tell the reader that everything is made up? It does not make any sense. The reader just gets confused. In addition to this question, I found myself wondering if there was a clear difference between truth and fiction in the book, namely if you could say this is true and this is untrue and this is certain and this is uncertain. And if yes, was it O'Brien's intention to draw this clear line, or did it just happen by accident? Of course, one cannot know everything for certain and no one can look into O'Brien's brain, but you can make assumptions based on the knowledge you have. In my paper I will focus mainly on the aspect why the principle of truth and fiction is used in The things the carried and which effects come out of that. I think this is very interesting, because, in my opinion, this is the main aspect of the whole book. Someone who reads it will not be able to stop themselves from asking questions in their head. The main process while reading