Who Is Vera Kelly
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An NPR Best Book of the Year "Gripping, subtle, magnificently written." —The New York Times Book Review "A delectable page-turner . . . Vera Kelly introduces a fascinating new spy to literature’s mystery canon—one we hope sticks around long beyond this snappy, intimate debut." —Entertainment Weekly New York City, 1962. Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of a coup, Vera learns the Cold War makes for strange and unexpected bedfellows, and she's forced to take extreme measures to save herself. An exhilarating page-turner and perceptive coming-of-age story, Who Is Vera Kelly? introduces an original, wry, and whip-smart female spy for the twenty-first century.
The “splendid genre-pushing” (People) Vera Kelly series returns in full force as our recently out-of-the-spy-game heroine finds herself traveling from Brooklyn to a sprawling countryside estate in the Caribbean in her first case as a private investigator. When ex-CIA agent Vera Kelly loses her job and her girlfriend in a single day, she reluctantly goes into business as a private detective. Heartbroken and cash-strapped, she takes a case that dredges up dark memories and attracts dangerous characters from across the Cold War landscape. Before it’s over, she’ll chase a lost child through foster care and follow a trail of Dominican exiles to the Caribbean. Forever looking over her shoulder, she nearly misses what’s right in front of her: her own desire for home, connection, and a new romance at the local bar. In this exciting second installment of the Vera Kelly series, Rosalie Knecht challenges and deepens the Vera we love: a woman of sparkling wit, deep moral fiber, and martini-dry humor who knows how to follow a case even as she struggles to follow her heart.
A small town swept up in a manhunt for a fugitive from foreign soil and a teenage girl struggling to make the right choices with little information and less time. In the heat of a stifling summer in her sixteenth year, Livy Marko spends her days in the rust-belt town of Lomath, Pennsylvania, babysitting, hanging out with her best friend, Nelson, and waiting for a bigger life to begin. These simple routines are disrupted when the electricity is cut off and the bridges are closed by a horde of police and FBI agents. A fugitive from the Republic of Georgia, on the run from an extradition order, has taken refuge in nearby hills and no one is able to leave or enter Lomath until he is found.As the police fail to find the wanted man and hours stretch into days, the town of Lomath begins to buckle under the strain. Like Russian dolls, each hostage seems to be harboring a captive of their own. Even Livy’s parents may have something to conceal, and Livy must learn that the source of danger is not always what it appears.Rosalie Knecht’s wise and suspenseful debut evokes the classics while conjuring the contemporary paranoia of the post-terrorist age. Relief Map doesn’t loosen its grip until the consequences of this catastrophic summer, and the ways in which a quiet girl’s fate can be rerouted and forever changed, are made fully apparent.
As he runs wildly amok, Aira captures childhood’s treasures — the reality of the fable and the delirium of invention — in this hilariously funny book. The Seamstress and the Wind is a deliciously laugh-out-loud-funny novel. A seamstress who is sewing a wedding dress for the pregnant local art teacher fears that her son, while playing in a big semitruck, has been accidentally kidnapped and driven off to Patagonia. Completely unhinged, she calls a local taxi to follow the semi in hot pursuit. When her husband finds out what’s happened, he takes off after wife and child. They race not only to the end of the world, but to adventures in desire — where the wild Southern wind falls in love with the seamstress, and a monster child takes up with the truck driver. Interspersed are Aira’s musings about memory and childhood, and his hometown of Coronel Pringles, with a compelling view of the hard lot of this working-class town, situated not far from Buenos Aires.
This is not simply a triumph of style; it is both a reflection on a time of bloodshed and a raw vision of human misery. Guillermo Saccomanno, winner of the Argentine National Literature Prize. This man knows. He knows about guns, knows about women, knows about dead bodies. . . . But above all he knows how to narrate. Ana Mara Shua, author of El peso de la tentacin Superintendent Lascano is a detective working under the shadow of military rule in Buenos Aires in the late 1970s. Sent to investigate a double murder, he arrives at the crime scene to find three bodies. Two are clearly the work of the Junta's death squads, murders he is forced to ignore; the other one seems different. The trail leads Lascano through a decadent Argentina, a country poisoned to its core by the tyranny of the regime. The third corpse turns out to be that of Biterman, moneylender and Auschwitz survivor. When Lascano digs too deep, he must confront Giribaldi, an army major, quick to help old friends but ruthless in dealing with dissenters such as Eva, the young militant with whom Lascano is falling in love. Born in 1948, Ernesto Mallo is a published essayist, newspaper columnist, screenwriter, and playwright. He is a former anti-Junta militant who was pursued by the dictatorship. Needle in a Hay Stack is his first novel and the first in a trilogy with superintendent Lascano. The first two are being made into films.
This extensive examination of the Kurdish conflict in Turkey, Iraq, Germany, and the EU focuses on the history and development of the Kurdish Workers Party (PKK) and its impact on transnational security, human rights, and democratization. * Quotes from numerous sources reflect the many different perspectives on how to resolve the conflict with the Kurdish Workers Party (PKK) * Offers a glossary of Turkish language terms, abbreviations, and acronyms, such as KRG (Kurdish Regional Government) * Includes a brief Turkish pronunciation guide
A haunting and thought-provoking story about how a mother's love for her children can be more dangerous than the dark world she is seeking to keep at bay. A single mother takes her two sons on a trip to the seaside. They stay in a hotel, drink hot chocolate, and go to the funfair. She wants to protect them from an uncaring and uncomprehending world. She knows that it will be the last trip for her boys. Beside the Sea is a haunting and thought-provoking story about how a mother's love for her children can be more dangerous than the dark world she is seeking to keep at bay. It's a hypnotizing look at an unhinged mind and the cold society that produced it. With language as captivating as the story that unfolds, Véronique Olmi creates an intimate portrait of madness and despair that won't soon be forgotten.
Set in apartheid South Africa, Agaat portrays the unique, forty-year relationship between Milla, a sixty-seven-year-old white woman, and her black maidservant turned caretaker, Agaat. In 1950s South Africa, life for white farmers was full of promise - young and newly married, Milla raised a son and created her own farm out of a swathe of Cape mountainside with Agaat by her side. By the 1990s, Milla's family has fallen apart, the country she knew is on the brink of huge change, and all she has left are memories and her proud, contrary, yet affectionate guardian. With haunting, lyrical prose, Marlene van Niekerk creates a story about love and loyalty.
That Hair is a family album of sorts that touches upon the universal subjects of racism, feminism, colonialism, immigration, identity and memory. “The story of my curly hair,” says Mila, the narrator of Djaimilia Pereira de Almeida’s autobiographically inspired tragicomedy, “intersects with the story of at least two countries and, by extension, the underlying story of the relations among several continents: a geopolitics.” Mila is the Luanda-born daughter of a black Angolan mother and a white Portuguese father. She arrives in Lisbon at the tender age of three, and feels like an outsider from the jump. Through the lens of young Mila’s indomitably curly hair, her story interweaves memories of childhood and adolescence, family lore spanning four generations, and present-day reflections on the internal and external tensions of a European and African identity. In layered and luscious prose, That Hair enriches and deepens a global conversation, challenging in necessary ways our understanding of racism, feminism, and the double inheritance of colonialism, not yet fifty years removed from Angola’s independence. It’s the story of coming of age as a black woman in a nation at the edge of Europe that is also rapidly changing, of being considered an outsider in one’s own country, and the impossibility of “returning” to a homeland one doesn’t in fact know.